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Results for 1920s

Double or Nothing 30secs

Track Length:  0.32

30 seconds edit of the main music track 'Double or Nothing'. Sweet and sassy 1920?s style early jazz. Bass clarinet carries the vibrato-rich melody ov...
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Double or Nothing 60secs

Track Length:  1.02

60 seconds edit of the main music track 'Double or Nothing'. Sweet and sassy 1920?s style early jazz. Bass clarinet carries the vibrato-rich melody ov...
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Double or Nothing Loop 01

Track Length:  0.26

Short edit of the main music track 'Double or Nothing' for looping. Sweet and sassy 1920?s style early jazz. Bass clarinet carries the vibrato-rich me...
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Double or Nothing Loop 02

Track Length:  0.15

Short edit of the main music track 'Double or Nothing' for looping. Sweet and sassy 1920?s style early jazz. Bass clarinet carries the vibrato-rich me...
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Double or Nothing Loop 03

Track Length:  0.15

Short edit of the main music track 'Double or Nothing' for looping. Sweet and sassy 1920?s style early jazz. Bass clarinet carries the vibrato-rich me...
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Double or Nothing Loop 04

Track Length:  0.26

Short edit of the main music track 'Double or Nothing' for looping. Sweet and sassy 1920?s style early jazz. Bass clarinet carries the vibrato-rich me...
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Double or Nothing Loop 05

Track Length:  0.15

Short edit of the main music track 'Double or Nothing' for looping. Sweet and sassy 1920?s style early jazz. Bass clarinet carries the vibrato-rich me...
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Double or Nothing Loop 06

Track Length:  0.15

Short edit of the main music track 'Double or Nothing' for looping. Sweet and sassy 1920?s style early jazz. Bass clarinet carries the vibrato-rich me...
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Double or Nothing No Drums

Track Length:  1.51

Alternative version of the main music track 'Double or Nothing' without drums. Sweet and sassy 1920?s style early jazz. Bass clarinet carries the vibr...
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Double or Nothing Piano and Clarinets

Track Length:  1.51

Alternative version of the main music track 'Double or Nothing' with piano and clarinets. Sweet and sassy 1920?s style early jazz. Bass clarinet carri...
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